Sabtu, 12 November 2011

12

There are many ways to enjoy the San Joaquin River, one way to do it is from above.  The San Joaquin River watershed is home to granite domes that jut skyward from the deep river gorge. Some climbs require rappels into deep river gorges, leaving climbers to struggle their way back up the canyon walls.  Others overlook broad expanses of forest and lakes.
For links to Rockclimbing in the San Joaquin River watershed see:
rockclimbing.com
www.southernsierra.org
BALD MOUNTAIN -
This beautiful dome has a few cracks but face climbs are more commeon. Most climbs are two pitches in length. The elevation is 7800' and the view of Shaver Lake is awesome. Directions as given in the guide book: Take 168 past Shaver to the Tamarack Trailhead. Turn right onto the paved road(and set your trip odometer to). At 2.9 miles turn right onto a dirt/poorly paved road. All pavement ends at 4.3 miles. At 4.5 miles, a sign identifying the road as 9S02 is found. At 5.9 miles the four-wheel drive road goes right. Drive over slabs and up a steep hill. Follow the path across open country to the summit. A vehicle with good clearance is needed.
CON DOME -
Located off Dinkey Creek Rd off 168. As a crow flies it is north of Bald Mountain but a different road is required. The area was originally climbed by the Bard brothers who did some daring run out lead bolting. The area was later developed by locals Chambers and Kroll among others. If you look hard enough you can locate a registry above the first Tier. The bottom tier is approx 200' while the top is around 100' or more. Climbs ranges from 5.9 - .11s but has potential for harder. There are mostly sport climbs, but trad and a ton of bouldering abounds. A lot of the sport routes allow you to use pro as well. The dome has a lot of features; slab, water runnels, chicken heads, cracks, off widths, and head walls. A great place.
CRESSMAN -
Turn right just passed Cressman's store above the 4-lane. Under the power lines are the some walls. You can get a road side view while driving back from Tollhouse. Up to 100' walls and spires. Had some activity years ago gut nothing recent. You can also approach from below off Pederson Rd. Park at the power lines and walk up. Make sure you ask property owners.
DOGMA DOME -
This place has 15 moderate Tuloumne-style bolted friction climbs on excellent granite. It is very close to Shaver Lake (you can check out the lake from your belay) and the approach takes about 20 minutes. You can even climb here in the winter. It makes for a fun full day of climbing. Routes average 5-6 bolts in 100 feet, with longer run-outs on the lower angle top sections. Located in a beautiful forest. A pleasant suprise. Directions from the climbing guide:Dogma Dome is just north of Shaver Lake at the turn-off to Big Creek. Go 50 yds up the road past the Big Creek turnoff and look for a hidden dirt road on the north side of a blind curve. Park a little ways up the dirt road. Walk north on a jeep road that follows some power lines crossing a creek. After 100 yards the jeep road turns right and begins climbing. Take all the left options and look for surveyor's tape. You will see the dome to your left but don't cut over until on top of the hill.
HIDDEN ROCK -
41/2 miles past Shaver town, towards Courtright Res. To the south of the road, park on right side campsite. 10 min approach up and over the ridge.
MUSICK ROCK (YETI DOME) -
Not the best granite but great view. Turn left off 168 like you are going to Big Creek. Drive a little ways and then up and left up a road. Park at the gate for a 45 min approach unless the gate is open. Cliff faces S/E TAMARACK RIDGE -
BALD MTN -
Approach from Hwy 168 and follow the dirt roads that head to the old Bald Mountain lookout. About a 1 1/2 miles before, (north of) the lookout, on the west side of the ridge are a few short routes. Short and fun. You can see both the Valley and the lookout from the routes.

11

Prior to the hitting the stage on a snowy night in Omaha, NE, I had the opportunity to sit down with the man, the legend: Mr. Anthony Green. During the interview, we touched on a number of subjects such as the reception of the band's 2010 epic, Blue Sky Noise, as well as plans for his next solo album, Beautiful Things. Will we be seeing Anthony Green channel his inner hip-hop artist on the upcoming solo release? Read on to find out!


Shawn@RRR: How are you doing today sir?
Anthony Green: I’m doing great!
Shawn@RRR: Early last year the band released their third full length effort, Blue Sky Noise. With the initial nerves and excitement well subsided, how do you feel the album was received?
Anthony Green: I believe it was received well.
Shawn@RRR: Additionally, the band released the Appendage EP in late November, which features B-sides from the Blue Sky Noise sessions. Why do you feel it was important for these songs to see the light of day?
Anthony Green: Making these albums and writing these songs is our livelihood. There isn’t a song that’s more important or less than important than the other ones. So I feel like if we’re going to work on something and get it to the stage to where we’ve recorded it, and to not have it be put out somehow is just a shame. It’s such a waste. We’ve found ways to put out B-sides for charities, or our friends charities.
When we went into the studio this time we opted to record all of the songs we had, rather than chop away the ones that will go on the album, and kept in mind that we wanted to release an EP. I think it’s just important to get all the music out there, you know?
Shawn@RRR: Are there any songs from the Blue Sky Noise sessions that didn’t make the 2nd cut, or have you closed the book on that album?
Anthony Green: I think that chapter is finished.
Shawn@RRR: As with your entire discography, the artwork for the aforementioned releases was done by Esao Andrews. Do you feel that his art has become a staple of the way people view Circa Survive?
Anthony Green: Yeah. I mean he’s sort of like the visual soul mate of the band. He really does capture the feeling that we want for our artwork.
Shawn@RRR: Blue Sky Noise marked the band’s first release on a major label. Do you feel any stigma attached with being a part of a major label, or are people looking too much into things?
Anthony Green: I think things are a lot different now than they were say, five to ten years ago with major labels. The music industry is so fucked right now that the playing field has been sort of leveled. Everybody, no matter if you’re a small independent label, or a major, has been changing up their game plans, so they can figure out how to make the most money out of their musicians. So I feel like a lot of stigmas that major made for themselves have washed away because they’re having to try so many different things to stay afloat. We’ve haven’t had to make any sacrifices. It’s been pretty awesome being on Atlantic. I can’t really say that it’s much different than being on Equal Vision, except for the fact that we get to do more interviews, play more shows, and they send us overseas more. The pros massively outweigh the cons.
Shawn@RRR: Between the real of On Letting Go and Blue Sky Noise you were a part of The Sounds Of Animals Fighting who, in 2008, released the final chapter of their trilogy of albums titled The Ocean And The Sun. Creatively, how did your time with the project influence what would eventually become Blue Sky Noise?
Anthony Green: Well, those albums and that band gave me so much freedom to do anything that I want. They’d have these songs, I’d go into a studio, or I’d go into a booth, or someone’s house. Just anything I wanted. I never heard one thing from them like “this isn’t that cool.” Everybody just expected to do their best and supported each other. I think that creatively, going through experiences like that, they exercise your muscles, making them strong. There isn’t anything that I’ve had the opportunity to do that hasn’t effected the next project,  or a project after that. I feel that creatively is a muscle, and I think that if you don’t exercise it, it becomes weak.
Shawn@RRR: The band has adapted the hobo graffiti symbol for “safe camp” for a number of things pertaining to the band. What’s the story behind the band’s use of the symbol?
Anthony Green: We have friends of ours that like to train hop, and spend a lot of  their time doing that. That’s more or less where the symbol, I believe, gets used, for people who are travelers, walkers, train hoppers, etc. We consider ourselves sort of like hobos within the music industry. We wanted to find a way to be inviting, but at the same time keep exclusivity to the people that we care about. And not to say that there are people that we don’t care about, but it’s weird when you have a show and there’s some dickhead there being a total asshole, being real sexist, or being really loud. I don’t want to play for those people. I don’t want their fucking money. I don’t want their time. I don’t want to feel like I’m putting on a show for someone who used to beat me up in High School.
Shawn@RRR: Late last year, the band unveiled a member’s only fan club dubbed The Creature Club. Could you explain what the club is about and why it was formed?
Anthony Green: It was really just a chance for a our die hard fans to get more exclusive content from the band. We wanted to find a way to invite people who are interested in finding out the origins of our songs, and see different types of photos and videos, and not have it be a thing that’s thrown up for everybody. We knew that there would only be a certain amount of people that would be into it. Plus the last tour we did, all the people that got to watch the sound check, we’d hang out with them before and after show. Also, the last tour we invited them all up on stage to sing a song live. It’s just a way for us to keep in contact with our really crazy fans that know EVERYTHING.
Shawn@RRR: It was said that once the band was done recording Blue Sky Noise, that you would begin to work on your next solo album, titled Beautiful Things. What is the status of the record?
Anthony Green: I don’t want to say that anything is finished, but I was just in the studio where we recorded Avalon with Good Old War/Jason Cupp from January 1st to January 6th or 7th. We recorded like 13 songs in like 6 days. It’s the coolest shit that we could have come up with and without any pressure, without rushing. I know there will be stuff that I want to change and add. I know it’s not going to come out for a long time, so I hesitant to say that it’s done, but all the songs are there. I don’t want to put it out until I feel that Circa and Blue Sky Noise got their chance to really stretch, you know? I don’t want to rush it. Plus I’m working on like 10 other things at the moment. I would like to say that it’ll be out during the Summertime, or the end of Summertime, but I can’t really be sure.
The other day I had this idea, I woke up and wrote all this stuff down, and one of the things that I wrote was that I was going to can this solo record and write another one the next time we had time off. Get those dudes to come back for like 10 days, do another album, and save the stuff we have for a third solo album. I don’t really know why. I think it’s because this album is really weird. The songs aren’t just acoustic, it’s just really strange.
Shawn@RRR: Will the album be released by Photo Finish Records much like Avalon was?
Anthony Green: I think so, yeah.
Shawn@RRR: Will you give Colin the honor of remixing this album much like you did with Avalon?
Anthony Green: I think I’m going to yeah. I really liked how Avalon went, and Colin is so good at that kind of stuff. Actually, since we have so much time, I may just give him the stems now and have him go nuts, and then instead of  it being “oh, here’s Colin’s remix CD,” some of the tracks that get changed in the remix will become actual songs on the album.
Shawn@RRR: At this point, how do you feel the album compares to Avalon both lyrically and instrumentally?
Anthony Green: Lyrically, it’s massively different. I think that some of the songs are stories about other people, and not necessarily about me. They say when you dream, everything in the dream represents you and I feel that when I write songs, everything in the song kind of represents something about me, in a way. But, this album tells a lot of different stories that aren’t necessarily stories that came from personal experience, and came from stuff that I watched, read, heard, etc. One of the songs I wrote after watching There Will Be Blood for the fifth time. I sat down and wrote these lyrics and wrote music to it, which is one of the first times I ever really did that.
It sounds a lot different, like, it’s not just all acoustic. There are ukuleles in it, electric guitars, slide guitars… Good Old War and Jason Cupp really went crazy and filled up all the spaces with unreal sounds and beats. I really hate to say this, but there is a tiny bit of hip-hop feeling in some of songs, in a non cheesy way. I swear to God.
Shawn@RRR: Why do you feel it is important for you to have your solo project?
Anthony Green: You know, Circa is a collaboration It’s not my band, or Colin’s band, or Brendan, or Nick, or Steve’s band. It’s all of us coming together to make something together. A lot of times the things that you really love and believe in, you have to make changes with them. You have to sort of compromise with them, and that’s what makes Circa so great. For my solo project, it’s really just something for me to do whatever I want and not have to worry if it’s making someone in the band happy, or fulfilling their vision of a song. It’s more or less all my vision. When I get together with Good Old War to write the stuff and record it, they come up with some of the coolest ideas.
Shawn@RRR: Obviously Circa remains your main focus for the time being, but once your current obligations with Circa are up, do you plan on going out on tour in support of Beautiful Things?
Anthony Green: Yeah. I’d like to put a little more time touring behind the release, rather than Avalon where I didn’t do that much. I think I want to spend a little more time with the solo stuff. There are a couple of other projects I’m working on too, that I’m trying to find time to work on. Me and Casey from The Dear Hunter have been talking a lot about putting some stuff together. He’s really busy and I’m really busy, but we’ve had this dream about putting stuff together. There’s other stuff I can’t even say because I don’t want to fuck it up.
Shawn@RRR: Though the release of Blue Sky Noise was last year, has the band begun to write new music in any aspect?
Anthony Green: Yeah, Steve and I are sending ideas at each other, and you know, everyone’s been constantly working on new ideas. I think right after this tour, we’re going to get together and spend a little bit of time writing. For Circa it’s always been like, we write a record, tour, may take a little break, and write. I want to be writing all the time. For Circa’s sake it’s best if we’re all just are writing all the time, and not just designate time for writing.
Shawn@RRR: Once the tour with Anberlin and Foxy Shazam culminates, what are the band’s plans for touring for the remainder of 2011? It’s been rumored that the band will be making an appearance on this year’s Warped Tour.
Anthony Green: No, we won’t be on Warped Tour. I know we’re going to do a couple one off dates in February and March. There’s some stuff that’s coming up that isn’t totally confirmed yet, that I don’t know if I can say. I know we’d love to do another headlining tour on this album, maybe sometime in the Summer time. There’s some support tours that we might take. We just got offered this really cool tour that we’re all talking about and I’m really excited about. I think we’re going to be doing stuff well into the Summer time.
Shawn@RRR: Ultimately, what do you want people to take away from listening to Circa Survive?
Anthony Green: I’ve heard lots of different things that people take away from listening to our band. Some people get really deep into it, and they take all this really interpersonal shit away. They credit the band with helping the band get through tough times in their life and it just blows my mind. There are other people that just like the music and the show, and maybe it doesn’t go much deeper than that. There isn’t a minute of a day that goes by where I’m not so grateful to have this in my life. To have our fans be so cool and have our relationships together be awesome, I feel like it’d be arrogant if I broke it down to a few things that I’d like people to take away. Just having them with me is enough.
Shawn@RRR: That’s all the questions I have, do you have anything to add?
Anthony Green: Just thank you for paying attention to Circa.
If you're not paying attention to Circa, then what the hell are you doing? Head here to purchase the band's 2010 release, Blue Sky Noise.

Sabtu, 29 Oktober 2011

6

Telescopes and bathyscapes and sonar probes of Scottish lakes, Tacoma Narrows bridge collapse explained with abstract phase-space maps, some x-ray slides, a music score, Minard’s Napoleonic war: the most exciting new frontier is charting what’s already here.

Kamis, 13 Oktober 2011

10

Simon Norfolk's workshop yesterday moved to the Valley of the Fallen, a natural granite formations, pine trees and streams, and spikes, Benedictine monks and winding roads. It is located in the municipality of San Lorenzo de El Escorial is about 100 km. Aranjuez. The intention of this trip was premeditated inter-campus in many ways: he wanted this place to explain the formal aspects of field work, position, technique, gear, and also by the prior preparation of going at the right time and the exact spot he had devised. So far their teaching.

Norfolk does not stop here, because this same could have done for around campus. Norfolk's language ceases to be purely formal when you start digging in the image and find the track that history has left behind. In our case, a monumental cross of 150 m. governing the high valley and poise as if to lift it alone on any of the horizons. The landscape of Norfolk speech, then, political, economic and social, from here everyone interprets it their own way.

Valley of the Fallen
Google Maps

The route:
1. We arrived at the parking lot of the back of the cross in the parking lot of the Abbey. They struck up a friendly conversation with a resident monk explains curiosities, concerns, and the place to go.
2. After a steep slope of trees and hazards, with the team on his back managed to get to a clearing just below the forest track. On this track we could not pass the car, and was the longest road to walk.
3. Looking at the cross and the valley, were approximately three hours.

We were lucky to be with him in the Campillo, talking day and night, look for the moon and look through the

viewfinder of his camera spent wood.
Simon Norfolk's workshop yesterday moved to the Valley of the Fallen, a natural granite formations, pine trees and streams, and spikes, Benedictine monks and winding roads. It is located in the municipality of San Lorenzo de El Escorial is about 100 km. Aranjuez. The intention of this trip was premeditated inter-campus in many ways: he wanted this place to explain the formal aspects of field work, position, technique, gear, and also by the prior preparation of going at the right time and the exact spot he had devised. So far their teaching.

Norfolk does not stop here, because this same could have done for around campus. Norfolk's language ceases to be purely formal when you start digging in the image and find the track that history has left behind. In our case, a monumental cross of 150 m. governing the high valley and poise as if to lift it alone on any of the horizons. The landscape of Norfolk speech, then, political, economic and social, from here everyone interprets it their own way.
Taller de Simon Norfolk en Campus PHE


Taller de Simon Norfolk en Campus PHE


Taller de Simon Norfolk en Campus PHE
Simon Norfolk

Taller de Simon Norfolk en Campus PHE
De noche

Taller de Simon Norfolk en Campus PHE
La vuelta

Valle de los Caídos




9

Getting started in organic farming/ranching requires a mind set and determination to do things differently than the conventional. Organic production is all about working with nature rather than trying to force our goals and expectations on the land. Building Soils for Better Crops, a Sustainable Agriculture Network (www.sare.org) publication by Fred Magdoff and Harold van Es, provides an easy-to-read description of soil functions and processes and is a great foundation.
The difference between conventional and organic production is all about how products are raised. Section 205.202 of the National Organic Program rule states that no prohibited substances can be applied to land for a period of three years preceding the harvest of the crop. So, document when the last prohibited substance was applied, add 36 months, and this is your first opportunity to sell organic products.
A prohibited substance is anything that is genetically changed (GMO), synthetic, or altered from its natural state. The three major prohibited farm inputs are pesticides, chemical fertilizer, and GMO seeds. If you intend to sell more than $5,000 of product to anyone but an end-user, you need to be certified by a USDA accredited certifying agency. This agency should be contacted before applying any substances, even during the transition phase.
Documentation is key to organic production. Develop a field history sheet that lists historical inputs and crops. Define field boundaries and buffer zones if adjacent to conventionally managed land. Identify contamination risks such as chemical drift and runoff threat to see if your field can produce an organic crop that meets the requirements. Field identification also enables the product or crop to be traced back to its origin.
The transition period is a time for the land to adjust to its natural production capabilities and cleanse itself of synthetic inputs. It is also a good time for the operator to develop a written Organic System Plan concerning all aspects of agricultural production. Components of the Organic System Plan include:
> Practices & Materials used on the farm to build soil quality, improve water quality, prevent contamination, and insure organic integrity.
> Recordkeeping to show traceability back to the field and accountability for all that enters and leaves the farm.
> Monitoring the data recorded to show progress and/or improvement.
There are several excellent web sites to help you through the transition phase:
> New Farm (www.newfarm.org) has three helpful tools: 1) An online transition exercise that allows you to develop an organic systems plan; 2) A financial comparison of organic versus conventional production; 3) A comparison of organic certifying agencies.
> Midwest Organic & Sustainable Education Services (www.mosesorganic.org) provides free education materials and fact sheets to help during and after the transition phase.
> Appropriate Technology Transfer for Rural Areas (ATTRA), 800.346.9140 (http://attra.nact.org) is a USDA-funded information site with a helpful staff dedicated to providing you with the information you ask for about sustainable farming and organic production.

8

Ajah featured in Don Magazine

2011-07-10 (permalink tags: , )
Ajah, our Python powered interactive directory of funders for Canadian non-profits, was recently featured in Don Magazine. We've been in the local news before but the previous mentions were all were by the tech community. Don Magazine is a publication for non profits and it's rewarding to see that beyond the cool tech, the non-profit sector sees a real value in the service that we developed.

7



2010 may very well be a Margaux vintage: the best wines show finesse, elegance and freshness.
Château Lascombes general manager and Yair Haidu share their first positive impressions on Margaux 2010.